When the manual, it honestly feels no real need since we are on familiar ground. I have not had to deplore incompatibility. You just do not forget to go to the prefs to indicate the sound card used. The configuration, however, is rather easy.

The difficulty (relative) is at the level of authorization, which must be done online and I process this kind of stuff myself. To me, these Fender amp sounds are essential to any producers/engineers collection. With amp sim software, it is so cheap to get so many different amp sounds. However, I will always have a soft-spot for the Fender clean amp sound because my uncle gave me a '72 Silverface Bassman 100 when I first start playing guitar. I typically play rock music, so I usually want the sound of a Marshall or Mesa-Boogie with a little bit more gain than a Fender Twin. It is a lot of fun to play through these amp sims because their sound is so familiar. I'm glad Fender decided to go ahead and have an entire range of their amps modeled rather than just the Twin and 4x10 Bassman that are staples of every amp software.

I like this amp best for the mid-gain settings comparable to Marshall, Matchless, etc.įender Amps are some of the most popular and most recorded amps from the past 50 years. The Super Sonic can cover a full range of amp sounds from clean - extreme. The Metal Head is definitely extreme gain, but has a unique voicing compared Mesa-Boogie and Bogner. The Fender Super Sonic and Metal Head were surprisingly unique, and a nice change of pace compared to other types of these amps. I normally think Marshall, Mesa-Boogie, Bogner, etc. I don't really consider Fender to be known for amps with a lot of drive/distortion. What surprised me the most about this software was the heavy-sounding amps. The 4x10 cabinet simulation in AT3 for the Bassman is the best compared to all the other competitors. I consider the Fender Bassman to be in a separate class of its own. Don't bother with - Guitar Rig 5, OverLoud THD, Pod Farm 2, Eleven.

If you want modeled versions of this kind of amp sound, this package is the way to go. I consider these kind of amps to be the quintessential Fender amp sound. The mid-sized amps (Twin, Deluxe Reverb, Vibro-King, Vibroverb) are the best parts of the bundle. I love the sound of the 'small' Fender amps in this bundle (Deluxe, Pro Junior, Champ). The range of Fender amplifier simulations goes beyond anything else available on the market. IKM Amplitube is a software plug-in that can be used inside a DAW, and can also be used as a stand-alone plug-in. With the introduction of Amplitube Custom Shop, individual amp models in this package can be purchased separately rather than as a bundle. Amplitube Fender is an expansion pack for IK Multimedia Amplitube.

Digital id amplitube fender